Circle for Hekate – Volume I :History & Mythology

The Circle for Hekate project is a series of books dedicated to the light-bearing Goddess of the crossroads in all her many faces, manifestations, and names.

Circle for Hekate – Volume I: History & Mythology
ISBN: 978-1-910191-07-1 (Paperback)
268 pages, perfect bound, B&W, 100 + images, RRP £14.99

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(Release date, 6 December 2017)

Circle for Hekate - Book cover - Volume I - HIstory and Mythology - Serpent Circle for Hekate illustrated by Rosa Laguna.
Circle for Hekate – Book cover – Volume I – History and Mythology

The goddess Hekate continues to inspire awe today. She is one of the most ancient Pagan goddesses, closely linked to the worship of the Great Mother Goddess Kybele and the Ephesian Artemis, as well as with the Mysteries of the Grain Goddess Demeter and her daughter Persephone. She was worshipped alongside gods such as Zeus, Hermes, Apollo and honoured at the entranceways into cities, temples and homes, as well as crossroads.”
~ Sorita d’Este,

In Volume I, Circle for Hekate: History & Mythology, the author draws together scholarly research from a wide range of sources, highlighting the manifold and universal nature of this extraordinary goddess. The book serves as a comprehensive introduction to her many myths and legends, viewed through the Divine Ancestry attributed to her in Hesiod’s Theogony (800-700BCE), as well as an exploration of her conflation with other goddesses, archaeology, literature, and iconography.

Hekate’s worship was never limited to one geographical region. Her presence was well attested in Greece and Turkey, as well as Egypt, Bulgaria, Macedonia, Russia, Afghanistan, Libya, Syria, Sicily and Southern Italy. She has possible links to Minoan Crete, her most famous temple stood in Lagina, and she was a popular goddess in ancient Athens. Her history reveals many fascinating stories: how Hekate Phosphoros saved ancient Byzantium from an invasion by Phillip II of Macedonia (father of Alexander the Great); and how a visit to her temple in Ephesus influenced Julian the Apostate, the last Pagan Emperor of Rome.

Hekate was connected to Artemis, Demeter, Persephone, Isis, Diana, Despoina and other significant goddesses, appearing in single-and triple-bodied forms, as well as theriocephalic emanations with the heads of various animals. She shared the symbols of the torch, whip, snake and dagger with the Erinyes, and wielded the key to the Mysteries, wearing variously the modius, polos, kalathos and Phrygian cap.  She shared paeans with Dionysos, stood with Hermes at the throne of the Phrygian Kybele, and sat next to Zeus in the cult of the Empty Throne. Far from being an obscure goddess, her torches illuminated the Mysteries at Eleusis, Samothrace, Aegina and Ephesus, leading the way for initiates.

Circle for Hekate, Volume I (Symbols of Her Mysteries) by Sorita d'Este
Circle for Hekate, Volume I (Symbols of Her Mysteries)
Circle for Hekate, Volume I (Books in the Avalonia Office, Glastonbury) by Sorita d'Este, exploring the History and Mythology of the Goddess Hekate.
Circle for Hekate, Volume I (Books in the Avalonia Office, Glastonbury)

Suitable for reading as a standalone text by those fascinated in the history and myths related to Hekate, Circle for Hekate- Volume I : History & Mythology also serves as background reading for those wishing to pursue a more practical understanding of the goddess, providing a clear contextual foundation for practice. Subsequent volumes in this series build upon the foundation provided in this first book to include devotional rites, meditations, contemplations and charms, giving readers the opportunity to develop their own personal understandings and relationships with this goddess.

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(Release date, 6 December 2017)

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Theogony: Divine Ancestors. 

Many-Named Mother of the Gods. 

The Wandering Goddess. 

The Body of the Goddess. 

Symbols of Her Mysteries. 

Last words.

Suggested Further Reading. 



“She comes known and unknown, seen and unseen, with the sound of baying hounds or the flickering of a flame marking her arrival.” Sorita d’Este, The Body of the Goddess

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